Bill DePaulo is the magic maker behind the Casasanta Series, which he hosts in his rather extraordinary living space on the top floor of a former Masonic Temple in Lewisburg, West Virginia. That’s where Bare Bones is performing this Saturday night, starting at 9 p.m.
Bill started the Casasanta Foundation a little over a year ago, inviting regional and upcoming artists to perform in this great, intimate setting. The sound system is excellent, and he is equipped with all the hard-to-transport musical instruments, including a grand piano. (I hear that a video of the hoisting of the grand piano up to the fourth floor and through a window is on YouTube.)
The 9 p.m. showtime gives you, dear reader, the opportunity to get to Lewisburg, have dinner in one of the town’s notable eateries–and there are several–then get to the concert. We’ll go until 11:30 or so, and you can be tucked into a nice Lewisburg inn by midnight, if you’re coming from out of town. (Alas, the General Lewis is totally booked up on Saturday night, but there are others. Check the Lewisburg Convention & Visitors Bureau. And you can still have breakfast at the lovely, quaint General Lewis.)
Susanna Robinson, one of my favorite singers, who possesses a sultry, evocative voice that she uses to great effect on old jazz and pop songs, is going to do a few songs with me as a bonus to the Bare Bones concert. We’re working up Jim Jackson’s “Nice Like That,” and Richard “Rabbit” Brown’s “James Alley Blues,” two songs I have appropriated from Hazel Dickens and Alice Gerrard’s 1975 self-titled album. Susanna’s choices are “The Sweetest Gift, A Mother’s Smile,” which Hazel and Alice also brought back to the contemporary music scene, and “Time After Time,” the Cyndi Lauper hit from the 1980s. Susanna will give Bill’s grand piano a bit of a workout.
As for Bare Bones, we’ve got a few new ones we’ve been polishing up, including “Build Yourself a Levy,” written and originally performed by Natalie Merchant, and the early ’60s pop hit, “Mama Said,” written by Shirley Alston, whose name was the basis for the Shirelles. Anybody remember Marv Johnson? His energetic, straight-ahead love songs heated up lots of transister radios in their day. We’ve been messing around with “I Love the Way You Love,” and “You Got What It Takes For Me.” Don’t know if they’ll be ready for show time on Saturday night….but maybe….